The last few class periods sort of blur into each other due
to the material – Lorenz on the Butterfly Effect, Bradbury’s Sound of Thunder,
The film Run Lola Run, and then a discussion of the film. I realize as I think
about the connections between these elements that my thinking about the rhythm
of the class is directly connected to the course material. I know that sounds
like a fairly benign comment, but it does help me examine why this class seems
to be working differently than other project based classes. I have used this
structure about five times now and I have just assumed that the type of driving
toward an understanding by moving from one element to the next was part of how
these courses worked – and it was for those subjects. The chaos class seems to
be working differently.
Some of this comes out of the fact that even when I taught
this material as more of a seminar course that it felt like similar ideas
simply presented in a different way. So each of the organizing topics – things
like sensitive dependence on initial conditions, the butterfly effect,
iteration, feedback, fractals, strange attractors, non-linearity, indeterminacy
– all seem like different words for the same thing. So rather than move from
topic to topic acquiring a greater breadth of knowledge on a subject this
course seems to work to gain a deeper understanding of these ideas. What I mean
by that is the difference between a horizontal and vertical structure – one
moves forward in time whereas the other freezes time and moves deeper into the
subject. Rather than a well made play, this course seems to be working more
like a slowly developing picture. This was not planned, but rather discovered
as the class developed.
What this means is that projects and readings and
conversations we have had prior to this point may not reach maturity until we
add more material. We have been cycling back to discuss both projects more than
in previous project courses. It is interesting since chaos theory suggests this
kind of non-liner structure that the course would develop this way.
The point with the past few class meetings has been to start
applying these ideas to stories, to film, to structure. So we bounced Lorenz
off of Bradbury and basic chaos ideas off of Run Lola Run. The point is to see
these elements in these stories with the eventual leap to structure stories
this way ourselves. I find that due to this structure that the course is more
about narrative than I had intended. For that reason I feel like I need to make
a change for the next in-class projects in which text and language are not part
of them. But, there are a million different ways to tell a story – so – who knows.
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